2D & 3D Work (Non-Painting)
Erode
2025. Series of Inkjet Print Transfers on Recycled Paper
Each Apprx. 16” x 13.5”
These are inkjet print transfers onto homemade recycled paper. The paper is made
from Hurricane Helene storm debris (mostly cardboard) that I collected and then
processed into new sheets. The images are photos of riverbanks after the storm: some
piled with fallen trees and branches and debris, some stripped bare, and some
revealing tangled root systems from the trees above.
2022.
Series of three pieces of wood that I covered with raspberries then wrapped in different ways. Non-archival as the raspberries were intended to mold. In making this piece I was exploring themes of decay and protection.
From Left to Right:
Wood, Raspberries, Stainless Steel
Wood, Raspberries, Saran Wrap, Nails
Wood, Raspberries, Plexiglass, Sheet Metal
Meat Oven (What am I good for?)
2019. Plaster mold, Inkjet Prints
Apprx. 12 x 12 x 7
In Meat Oven, I cooked meat in plaster through the exothermic reaction that plaster goes through as it sets. I then broke open the plaster block and removed the cooked meat, destroying the block. Meat Oven (What am I good for?) looks at the limiting idea that women exist as vessels for other.
Packaged
2021. Twelve pieces of agar bio-plastic encased in traditional plastic.
Each apprx. 6” x 6”
Concrete Piggybank
2023. Concrete, Metal, and Cash
Apprx. 8” x 8” x 10”
This is a utilitatian piece that I designed as an alternative to a savings account. Concrete is naturally fireproof. The only way to access the money inside is to break open the piggy bank.